"I long to hear that you have declared an independency. And, by the way, in the new code of laws which I suppose it will be necessary for you to make, I desire you would remember the ladies and be more generous and favorable to them than your ancestors. Do not put such unlimited power into the hands of the husbands. Remember, all men would be tyrants if they could. If particular care and attention is not paid to the ladies, we are determined to foment a rebellion, and will not hold ourselves bound by any laws in which we have no voice or representation."

Abigail Adams (via femininefreak)

"Remember the ladies…"

"

He who works with his hands is a laborer.

He who works with his hands and his head is a craftsman.

He who works with his hands and his head and his heart is an artist.

"
 St. Francis of Assisi (via takemetomountains)
The Band, The Night They Drove Old Dixie Down From the album The Last Waltz. 1,455 plays

beneta:

The Night They Drove Old Dixie Down - The Band

magnificentruin:

karmakarmanycJonathan HorowitzLeftover Paint Abstraction 2014

magnificentruin:

karmakarmanyc
Jonathan Horowitz
Leftover Paint Abstraction 
2014

It’s Hardly Noticeable III, 2012. John William Keedy

It’s Hardly Noticeable III, 2012. John William Keedy

transistoradio:

Amy Park, You Are Here #4 (2013), watercolour on paper, 56 x 70 cm. Via 1stdibs.

transistoradio:

Amy Park, You Are Here #4 (2013), watercolour on paper, 56 x 70 cm. Via 1stdibs.

awkashley:

Study after Boucher, oil on dura-lar by Rachel Gregor, 2014

awkashley:

Study after Boucher, oil on dura-lar by Rachel Gregor, 2014

(Source: racheldorisgregor)

buckyy-barness:

In 1940, knowing that France was falling into the hands of the Germans, the workers of the Louvre took action. All 400,000 works were evacuated and sent to the south of France. In secret they transported the priceless paintings and statues, and held by wealthy families in Vichy,where they would remain for five years, only returning at the end of the war.The quick action of the workers without a doubt saved the masterpieces from becoming part of the over 5 million works that were looted by the Nazis during the war.

visualgraphc:

Louis C. K.
Estudio Javier Jaen

visualgraphc:

Louis C. K.

Estudio Javier Jaen


James Dean photographed by Roy Schatt, 1954.

James Dean photographed by Roy Schatt, 1954.

blastedheath:

Raoul Dufy (French, 1877-1953), Epsom, le champ de courses vu des tribunes [Epsom, the racecourse seen from the stand]. Gouache and watercolour on paper, 50.3 x 66.2 cm.

blastedheath:

Raoul Dufy (French, 1877-1953), Epsom, le champ de courses vu des tribunes [Epsom, the racecourse seen from the stand]. Gouache and watercolour on paper, 50.3 x 66.2 cm.

calumet412:

Randolph and State, looking down on the Marshall Field’s clock, 1946, Chicago. Ralph Frost

calumet412:

Randolph and State, looking down on the Marshall Field’s clock, 1946, Chicago. Ralph Frost

"You should be angry. You must not be bitter. Bitterness is like cancer. It eats upon the host. It doesn’t do anything to the object of its displeasure. So use that anger. You write it. You paint it. You dance it. You march it. You vote it. You do everything about it. You talk it. Never stop talking it."
Maya Angelou (via waltzofthesnowflakes)

(Source: winterinter)

lawrenceleemagnuson:

Jenő Barcsay, Hungary 1900-1988    Landscape with Hills   ink, paper 17,5 x 26 cm

lawrenceleemagnuson:

Jenő Barcsay, Hungary 1900-1988    Landscape with Hills   ink, paper 17,5 x 26 cm

crashinglybeautiful:

Vivian Maier: Chicago, IL. 1963. (via: onlyoldphotography)

crashinglybeautiful:

Vivian Maier: Chicago, IL. 1963. (via: onlyoldphotography)